Wednesday, October 23, 2019

Rock it up with Bach to Rock, Napreville



Bach To Rock music school in Naperville, IL, has been amazing. Not only did they do a great job for my daughter's ninth birthday party and rocked it but the staff is extremely talented, as well.



Earlier this month, I was part o their first ever red carpet community event, called the VIP Open House: Influencer Social. They had a live instructor band that put on a great show for the audience singing songs from various artists. Some of the other guests were Teen Miss Illinois, Alyssa Gallarneau, multimedia guru Egle Makar, and Spirit Coaching entrepreneur Emily Correa.



I recomend it for any parent, adult and child that wants to learn how to play instruments and be immersed in a cool music atmosphere!

For more information:


Monday, October 21, 2019

Ultimate Spark! Coaching, an emerging global coaching program hits the market end of 2019

On October 23rd, 5 star-rated Ultimate Spark! Coaching (USC), a new online coaching certification program led by Millennial Founder Emily Correa, an ICF-certified Life, Business and Law of Attraction Coach, will be a featured VIP sponsor & vendor at ABN Circle’s “Women Empowerment Wednesday”. This Inaugural event will be showcasing an all-star female 5-speaker panel consisting of top entrepreneurs & influencers; Parmita Katkar, Fernanda Flores, El A. Panda, Rashidat Owe and Falen Wolfe. This event will be hosted at Joy District in at 111 W Hubbard Street, in Downtown Chicago, IL 60654 from 6pm – 9pm.

Ultimate Spark! Coaching (USC) guides potential coaches worldwide through an intensive 3-month accelerated online coaching process through 6 of the coaching industry’s hottest areas (Life, Business, Relationships, Health, Relaxation & Play and Spirituality) , certifying them through a 360 degree process of audio, video, written assessment, 35 hours of a coaching call log and a formal 1-1 skill assessment test with it’s founder. A Level 2 process for current coaches (or graduate of Level 1) desiring a Press Program (a challenging 1 year Mastermind Program of Accountability and Personal Brand Development) has also launched in June 1st featuring 10 fully trained USC coaches from around the world (Canada, Dubai, ATL, FL, TX, WV, and of course Chicago).


It’s Founder, Emily Correa is an accomplished creative entrepreneur with 10 years in corporate as a Trainer, Coach and Instructional Designer for several billion-dollar companies. Certified 5 years ago through a rigorous 350-hour global program, top ranked Institute for Professional Excellence in Coaching in 2013, with a Master’s in Business Psychology from Suffolk University in Boston, and 5 year’s experience as a coach, event producer and talent scout, Emily has designed a program that is already shining bright with 135 certified graduates from around the world. The Tony Robbins organization were a choice for her in 2018 before she was recruited to create her own coaching program, and chose to make that move instead. Ultimate Spark! Coaching, relaunching it’s courses end of 2019 -early 2020 is ready to conquer the world and empower those passionate about the coaching industry. Visit www.UltimateSparkCoaching.com for the full experience of this fast-moving program.

To register for the event, visit:

Saturday, September 28, 2019

A chat with Amsterdam Ave female filmmakers...




Amsterdam Ave follows two young women, one Indian-American and one Dutch, who switch places after meeting online – each leaving home to pursue their dreams abroad. The series was created by international female filmmakers, Dionne van den Berg and Pooja Tripathi, who also star in the seres, Amsterdam Ave is about cultural identity and finding yourself through travel.

The series was directed by Amanda Hanna-Mcleer, who previously worked post-production on Comedy Central's Broad City and Inside Amy Schumer, and FX's The Americans. Designers and DJs, Coco & Breezy, will music direct the series and the African-American/Puerto Rican twins will also make a surprise appearance in the series. Actress Catherine Curtin of Orange is the New Black, Stranger Things, and Insecure is featured as well.

 Check out my interview with the female filmmakers below:




Learn more at: https://www.amsterdamave-theseries.com/

Watch the trailer below:

Friday, August 9, 2019

Chick-fil-A Elmhurst held it's first-ever Pageants For A Purpose Event

Photo by Tammy Chatman
On July 30th, 2019, Chick-fil-A Elmhurst held it's first-ever Pageants For A Purpose Event where beauty queens participated and donated towards their charity of choice. I, as Miss Infinity Chicago, was part of that event as well and I chose my donation to go towards A Safe Haven Foundation because I believe in the work that they do and the hundreds of homeless people they save daily.

Photo by Tammy Chatman

The other queens at the event were:

Photo by Tammy Chatman

Teen Miss Illinois Alyssa Gallarneau is the reigning Teen Miss Illinois and radio host of Alyssa Gallarneau's "The Aly G Show" WLCB 101.5FM! She chose to partner with Flight For Life Transport System which is a fantastic organization that is literally life-saving, providing transportation to critically ill or hurt people in emergency situations. She partnered up with Traumatic Brain Injury Awareness TBI and ABI.

Photo by Tammy Chatman

LaSonya Alexander  Miss Illinois American Elegance Sophisticate and Founder of Momscandoit2 She chose to partner with the organization Cisco & Cisco Productions,Inc. that is raising awareness for cancer treatment and prevention.

Photo by Tammy Chatman
What Chick-fil-A does for the community is an example to other restaurant chains. I absolutely enjoyed being part of this event and networking with other queens and organizations. It was great meeting with the crowd and seeing what other organizations are doing to better the the community. I am very happy that Chick-fill-A is offering scholarships, donations to charity organizations and is involved in the community because progress comes with involvement and setting a positive example for the rest. Thank you for having me!





Thursday, July 25, 2019

EXCLUSIVE interview with Director Rick Alverson - "The Mountain"

Courtesy Kino Lorber
"The Mountain" is a film directed by Rick Alverson that takes place in 1950s America. This is the plot that takes place in the film: "Since his mother's confinement to an institution, Andy has lived in the shadow of his stoic father. A family acquaintance, Dr. Wallace Fiennes, employs the introverted young man as a photographer to document an asylum tour advocating for his increasingly controversial lobotomy procedure. As the tour progresses and Andy witnesses the doctor's career and life unravel, he begins to identify with the institutions' patients. Arriving at a California mountain town, a growing center of the New Age movement, they encounter an unconventional French healer who requests a lobotomy for his own daughter, Susan." The film stars Jeff Goldblum, Tye Sheridan and Hannah Gross. It opens in NY and LA on July 26.

I was eager and excited to talk to the director about the visuals in the film, the mood, the topic of mental illness, the history behind lobotomy and most of all about him.

Rick Alverson

Why did you decide to work on “The Mountain” film? What shook you to the core about this film that you said - yes I want to direct it? 
The subject matter interests me. These things evolve and they are difficult to get made. It's a reactive and reflexive sort of thing that evolves and changes especially the subject matter and the architecture as a historic character and leaving all of the narrative work and taking away most of the information and creating a fiction out of that. My own history. It's an evolving experiment.

What childhood or teenage memories do you remember that played part in your vision of the film? 
When Andy walks in a room covered with pornography with a hermaphrodite as a platonic ideal. It is a recreation event that happened to me as a child. There are foundational elements like that. I was interested in the ghost between interior life, exterior life and the social life that took that a step further - the ghost between the audience and the experience of the film. I talk about how this goal is so conveniently a bridge between this protagonist and his worldview. We use them as avatars and explore the world. I wonder if it's problematic or secretive and we go and have these exceptions when the world is full of limitations. We engineered him to be an instruction.

There were quite a lot of artistic forms in the film, such as the way the ice skaters danced, the mountain, the french healer's vision of art, among others. What was the intent with the art forms and artistic filming that you were trying to achieve and convey?
I am trying to bring and highlight the fact that films and narratives are used as convenient  mechanisms and the messages are curious of our social conundrum. We are such a contender of society. The problems of social media were reliable links during the 2016 elections. That happens in the cinema. The formal and artificial of this movie  is meant to engage us with a two dimensional event of watching a fantasy and I want to ask questions more than anything.

Tell me about working with Jeff Goldblum and Tye Sheridan. How did you approach them for the part and what did you tell them to do beforehand in order to dive into their characters?
They are both incredibly generous people and actors and they wanted to be engaged in the project. There is a certain amount of curiosity that is necessary to do a film like this. We talked a lot about the approach and I am a very physical director using blocking and tonality. I am not as interested in the content but more the way that it is said.

We see more and more stories written nowadays about mental illness. Unfortunately, we don’t see enough films about mental illness. Why do you think that is and as a director what was the hardest part about doing a mental illness film like this? 
The biggest challenge was the representation of that. It is obscene to dramatize for the enjoyment of the audience the environment and experience of mental illness. For that to move over to dramatic intoxication to an audience is something for us to consume as absence and disservice in this state. I move in the opposite direction. The institutions look like wax museums. Those places were hell halls back in the century. When dealing with that subject matter it is out of respect for that place and thing. There is an element of the experience in watching the film. I am happy when people say I feel like I have been lobotomized. It is more of an experience than being a witness.



Why did you choose to have a French character with a mental illness? Did you have to do a lot of research about lobotomy beforehand?
I am hesitant to explain why. A lot of things go into the ultimate threshold and decision to put or not that contributed. I think that the arrival of Jack in the film is consonant with the altering events with lobotomy of the protagonist and the protagonist's change. I think too often in the audience being engaged in a coherent meaningful way or being in a relationship with the protagonist as someone on the street is not a convenient consumption of truth.

What is the relationship between mental illness and love that we see in the film?
I think of the film as a love story and a desperate muted numb connection between these two individuals. There is no arrival in something that is petaled and reinforced for our amusement, which was conditioned in passivity by Hollywood cinema for along time. My favorite films don't have arrival or finality and they are consistent with our experience as human beings. It is really important to have films in what is left in the contemporary wisdom of this problematic certainty. 

You also co-wrote the script for "The Mountain." What was the hardest part in writing the script and what else are you working on and your message to everyone reading this? 
Me and Jeff did a lot of research on lobotomy and Fiennes' procedure. It is relative of people who have the procedure but ultimately it is not a historic recreation or pretending to be a reenactment of those events but its a two dimensional picture of using that subject matter. I am working on a project on a 12 Century next. Message? I hope we can be open.

                             Tye Sheridan and Jeff Goldblum in a scene / Courtesy Kino Lorber

RICK ALVERSON (born June 25, 1971, Spokane, Washington) is an American filmmaker and musician living in Richmond, Virginia. His feature films include THE MOUNTAIN (2018), ENTERTAINMENT (2015) and THE COMEDY (2012). His work has screened at Sundance Film Festival, Locarno, New Directors / New Films, International Film Festival Rotterdam, and BAFICI among other festivals. He has directed videos for Oneohtrix Point Never, Sharon Van Etten and Angel Olson, among others.

Tuesday, July 2, 2019

"Nikoleta Morales says..." received a National Award and Recognition

NFPW President Marianne Wolf-Astrauskas gives the award to Nikoleta Morales

The entertainment blog "Nikoleta Morales says.." started by the award-winning journalist Nikoleta Morales back in 2017 won a national award for Best Blog at the 2019 NFPW (National Federation of Press Women) conference. The blog and Nikoleta Morales were recognized and honored at the dinner ceremony at Hilton Capitol Hotel in Baton Rouge, LA. The journalism conference and award ceremony both took place in Baton Rouge, Louisiana. Thank you to everyone who took part in my stories and for all your support! Congratulations to our success and many more to come!



Monday, June 24, 2019

Great new short film on Amazon Prime - "Alive" directed by Luis Iga



This past week I had the chance to see a really fun and interesting short film called "Alive" directed by Luis Iga ("Murder in the Woods"). The film was part of All Voices Film Festival on Amazon Prime, which ends on June 24. Even though the film was only 15 minutes long it was enough time to show concepts such as love, betrayal, romance, hurt and important life choices. I found the film simple on the outside but yet rather complex on the inside and with a very surprising and provocative ending. I absolutely recommend it!


The film's synopsis:"Alive" follows the story of Gabriel, a Mexican immigrant and Alison an American woman, both in their mid-twenties that meet in a shared ride service and fall in love. Life throws them a curve-ball that will define their destiny. With an abstract and artistic ending the audience will be the judge of their fate. The film stars Pepe Gamez and Samantha Miller.

I spoke with the director about the film as I was in deep thought about the ending and wanted to know more. This is what he said to me:

"Pepe Gamez came to me with this story and I connected with it since my first girlfriend was from the USA and it was a big lesson for me on how different the two cultures are. In Mexico when a girl breaks up with you, you chase her to get her back. They like that because it demonstrates that you are really interested. In the USA if you do that you’ll get a restraining order. It was very hard for Pepe and myself to understand how someone can be loving you one day and be cold and distant the next. In the USA you have to let it be and hopefully she will realize or not what she has lost. Pepe and I wrote the story together based on his idea. We shot the film in four days with minimal budget and favors from friends. It is such a complex topic to be tackled in only fifteen minutes, that’s why we left the ending open," Luis Iga.


You can find more reviews of the film here: http://bit.ly/AliveReviews.


You can watch the film here: www.alivethefilm.com


Tuesday, June 18, 2019

Katy Lynch - a Powerful Female Entrepreneur and the Founder of Codeverse Chicago

Katy Lynch Ulliott

I found an amazing coding place for kids in Chicago, Codeverse, founded by an inspiring female entrepreneur Katy Lynch Ulliott. I wanted to know more about Katy's work and share what I found with you - my readers. 

Tell me a bit about your background. What inspired you to get into the technical career path and was this something you always wanted to do? 

I am originally from Scotland, but moved to Chicago in 2007. I landed my first gig at a travel startup called Where I’ve Been. That was really where I developed my love for startups and the Chicago tech community. When Where I’ve Been was acquired in 2010, I co-founded SocialKaty, an agency that specialized in social media marketing. Four years later, SocialKaty was acquired and I moved on to become the CEO of Techweek, the largest traveling technology festival in the country. Now, I am the CMO and co-founder of Codeverse. To be completely honest, I never thought I’d be a serial entrepreneur. I had no idea what I wanted to do with my life until I worked at a tech startup. I find modern, innovative technology fascinating and have surrounded myself with technologists (and tech founders) since!

In the midst of the MeToo movement how does it feel to be a female entrepreneur especially in Chicago? Have you faced any obstacles when dealing with male entrepreneurs? Is it an advantage or disadvantage being a female? 

I’m very fortunate to be living in city with so many talented women (and men!) Chicago is such a wonderful place to start a business, and there are so many great resources here for women, specifically. Although I have not personally faced obstacles as a female entrepreneur, I have heard many stories from friends who have been treated unfairly, which is infuriating. The good news is, thanks to MeToo and several other key movements, discrimination of any kind is being called out publicly and not tolerated by both women and men!

You founded Codeverse, an incredible and much needed place for kids. I wish I had that growing up. How did you get the idea and what did it take to build such an empire? What does it take to sustain it?

The idea originated from “Code: Debugging the Gender Gap,” a documentary that I saw during Techweek LA. The documentary’s theme centered around the lack of minorities and women in STEM. It inspired Craig and I to do a lot of research on the current landscape of kids coding products. Building Codeverse from nothing was no small feat. We spent months researching and hiring incredible talent (as well as vendors and edtech advisors!) to work with us. We conducted numerous surveys with parents, and tested our software - KidScript - with kids.

Tell us about Codeverse and how is this the future for our kids in this day and age? How can more parents benefit from these classes? What do kids learn in these classes? 

Codeverse is awesome! We’ve built the world’s first fully interactive coding studio and tech platform designed specifically for kids ages 6-13. Our studios are riddled with cutting-edge technology (such as concert-hall lights, robot arms, and speakers), which can be programmed by the kids. In addition to hacking the studio, kids build unique apps and games which can be shared with their friends and family. Kids begin learning the universal concepts of coding. Once they have mastered these concepts, they begin to learn more advanced concepts, which they can incorporate into their apps and games. Craig and I are big believers that in this digital day and age, every kid should learn to code. Beyond technical skills, coding builds confidence, encourages collaboration, inspires creativity, and teaches kids how to problem solve.

You are an inspiration to all of us. Can you tell us what a typical day is like for you and what does it take to be successful in this industry? 

In all honesty, every day is different, but I spend most of my time working on Codeverse scholarships, video production and editing, PR, and business development. It takes a lot of hard work, persistence, risk-taking, patience, and confidence to be successful in any industry - not just edtech!

What motivates you and how do you balance life and career? You look great, you are successful, and you do so much. How do you manage to be great at everything you do? 

When I launched my first business, SocialKaty, I was stressed most of the time. This stress came from my lack of time management skills. I’m very deliberate now when it comes where I spend my time and who I spend my time with. Google Calendar is a lifesaver. All of my appointments, dinners with friends, travels, etc are planned in there. It keeps me sane and on track!

What advice do you have for all of us? 
Take more risks. Working with kids has opened my eyes to just how risk-averse adults really are. We are afraid of failure and it holds us back from pursuing what we want!

What's next for you? You seem to have done so much already. What is next on your to do and wish list? 

Our 30-year mission is to teach a billion kids to code, so, I plan on working on Codeverse for life! The only other thing I really want to do, in my personal life, is have kids and eventually, sail around the world!

Who is the biggest supporter in your life? They say it takes a strong woman behind every successful man but who does it take behind a successful woman? 

Honestly, Craig is my biggest supporter. Aside from being my husband, he has been the best mentor to me and has provided me with so much invaluable advice about business. My other supporters really include my family and friends. They have followed my entrepreneurial journey since the beginning!

Do you volunteer and what charities and non-profits do you support?

I am a huge believer in the benefits of “paying it forward” so I love meeting and mentoring other entrepreneurs (especially first-time entrepreneurs) in the Chicago tech community. I have been involved with Chicago Innovation’s Women’s Mentoring Co-Op for quite some time and love it! With Codeverse, I also have the opportunity to work with a lot of great non-profits, including By The Hand, Girl Scouts, iF Charities, Big Brothers Big Sisters, and After-School All-Stars - to name a few!

To follow Codeverse on Social Media:
Twitter.com/codeverse/
Instagram.com/codeverse/ 
Facebook.com/codeversedotcom 

Nicole Quattrocki - The Face Behind Fix Chicago

“The real warriors in this world are the ones that see the details of another's soul. They see the transparency behind walls people put up. They stand on the battlefield of life and expose their heart's transparency, so other's can finish the day with hope. They are the sensitive souls that understand that before they could be a light they first had to feel the burn.”
― Shannon L. Alder
If you were looking to get involved with a local charity organization and you love dogs, Fix Chicago is the perfect match. Nicole Quattrocki is the founder of Fix Chicago, which is a not-for-profit organization changing the system and root problems to save all dogs and cats not just one at a time. The organization supports rescues and shelters but it is forming community based solutions in underserved areas to help keep dogs and cats out of the already full shelters.

Tell us a bit about your background: 
I am a creative entrepreneur who started out going to school for design at Columbia College. I worked in fashion, hospitality and education, but I believe all previous experiences both personally and professionally led me to live my purpose - Fix Chicago.

What inspired you to start Fix Chicago?
I started Fix Chicago after a few years of volunteering in the community and understanding how our shelter system was operating. Last July, there was a lot of attention in the community regarding lack of transparency since our then previous mayor had fired Susan Russell who seemed to have tremendous buy in from the rescue community and was doing a great job at lifesaving. I began learning about root problems and lack of transparency that continued to contribute to us still killing our Chicago shelter animals and had to do something about it.

What is your personal story with animal killing and how you relate to it? 
I adopted two of my rescue dogs from a government owned and operated open admissions shelter over a decade ago. Prior to adopting them I was oblivious to what it was like to own a bully breed and to what conditions were inside the very shelter in which I saved my girls. Through education years later I realized the shelter in Missouri where Gigi and Kyah came from at the time were killing 7 out of every 10 animals under their care and had no life saving programs in place for getting animals out and helping to prevent them from coming in. I couldn’t help but think so often that if I didn’t get them out that day they would have been killed.

What did it take you to create Fix Chicago? 
Everything! I gave up my personal life to build the foundation for Fix Chicago. Every day I would come home from my corporate job in education and work until bed on Fix Chicago.

How can others get involved? 
Please fill out a form on https://www.fix-chicago.org/volunteer-1 .
We are always looking for professional volunteers with government affairs knowledge, policy, marketing and/or fundraising and will be recruiting more boots on the ground volunteers for future events and community outreach we begin doing at the end of this year (2019) and early next.

This is the photo contest we need people to contribute to and vote for so we can run a campaign for our Chicago shelter dogs on the CTAhttps://www.gogophotocontest.com/fixchicago

For anyone who simply wishes to donate https://www.fix-chicago.org/donate 
Follow Fix Chicago on Social Media at FixChicago2019 

Monday, June 17, 2019

First Look at “The Shepherd” Film Directed by László Illés - Historical Drama Based on True Events


“The Shepherd” is poised to debut at film festivals across the globe. It is a historical drama taking place in Hungarian territory occupied by the Nazis in 1944. The film’s essence tackles ordinary people risking all to do right. The film is a tribute to everyday unsung heroes and their selfless sacrifices for mankind, as their character did not allow passivity in the midst of terror. There is still a need today for unsung heroes to risk all for a greater good or something bigger than themselves.

 “I have always been truly fascinated by World War II and I have read a lot of books about it. It is the closest and most epic struggle in history, where the whole world united for a greater cause. This was a situation in which millions of people were in a vulnerable position, many because they had to leave their homes to fight on the front lines. Many were at risk simply because they were born into historically marginalized and disenfranchised groups that led them to hide in their homes to await their fate,” said director László Illés.

The opening scene is set amongst pastoral fields. Here, we are introduced to the shepherd who after getting his sheep to the pasture hears the all too familiar sounds of the horrors of war from the forest. There he sees the atrocities of war, including dead bodies and a young woman who has been violated and shot in abdomen. The shepherd bandages the injured women and takes her with him to save her life. The shepherd decided to save as many lives as possible after his daughter was killed by German soldier’s years earlier.


 “The Shepherd is a very dark movie, as dark and stunning as WWII. However, I want everybody to understand that no matter how dark it is, you can always find the light,” said Illés. We have seen a lot of physical horrors in war movies, but this film is different. I wanted to show the psychological trials that people went through in a way that is as raw and authentic as possible. The camera is moving constantly with our protagonists to show their feelings and reactions to events in a more dramatic way. The audience will breathe and feel with the main characters. They will experience what it feels like to run for your life, while Nazis are behind you, and your fellow comrades are dying next to you. They will also get a grasp of what it is like to see your loved-one being violated by soldiers, or you an your family are being executed," said Illés.

Director/Writer: László Illés
Executive Producers: Taylor Re Lynn, Franklin Eugene, Jackson McClurg, Valentine Nonyela Producers: László Illés, Roy McClurg, Mitchell Speers, Zsuzsanna Fülöp-Biri
Film Trailer: https://youtu.be/X0gw3GNFxwo
For more information visit: https://www.theshepherdmovie2019.com/
IMDB: https://www.imdb.com/title/tt9202076/reference


About László Illés 

Hungarian director László Illés began making independent films when he was 13-years-old and has continued his passion for film to present day. Currently, he is directing films and working as 1st Assistant Director in Hungarian features, international films, commercials and music videos. For more information visit: https://www.imdb.com/name/nm6252684/

Tuesday, May 28, 2019

Singer Juan Cruz - The Latin Passion Within


I had the pleasure to meet and have coffee with inspiring Latin musician Juan Cruz who impressed me with his 'zass' for love, life and music. I couldn't stop but admire his passion and talent. I knew there was something special about him...His bio says:

Juan Cruz is a singer and songwriter whose sound melds classic Latino romantic ballad forms with 21st century beats in a pop style that is uniquely his own. Best known as Juan Cruz, he was born in Formosa, Argentina in 1994. His interest in the arts in general and music in particular began at age nine when he began taking guitar lessons and writing his own songs. At 15 he was sufficiently drawn to urban Latin styles such as reggaeton due to its inventive beats. This music made such an impression that he decided to incorporate them into his musical process. He said in an interview, "I love the melodic base of both genres; however, I do not seem to make a connection with the lyrics. I prefer the retro-Latin ballads." Cruz had embarked on several projects in varying styles and genres -- all of which he abandoned after a 2015 meeting with Ariel Remold, founder and chief A&R officer at Sonido Onírico Producciones. He was signed to the label as both a recording artist and a songwriter. Remold mentored Cruz by helping him to hone his style, which resulted in the first collaboration by the pair, the 2018 worldwide debut single "Vente Conmigo." The track gained airplay at a number of radio stations in the United States and in Latin America.

What inspired you to do music and when did this passion start?
Music is something that becomes part of your life from the moment you realize how good it feels when people put melodies and lyrics together. But really, it was at the age of 8 when I asked myself for the first time… 'what is this?'. My parents and I used to travel a lot and I have so many memories of our road trips in South America. One of the most special memories I still have are those ones when I listened to my mom and my dad singing 80s songs. Being in the back seat, laying down and enjoying those beautiful melodies are the most memorable moments of my childhood. When I turned 10-years-old is when the final push came to get me into the desire of wanting to become a musician. My friends used to laugh about this, but I never cared because I was so proud of the fact that the television show, "Hannah Montana”, made me want to become a pop star. I remember seeing the show preview and thinking… 'Oh my God, this is going to be a waste of people’s time'. For destiny’s reasons, I accidentally turned the television on one day, and to my surprise, "Hannah Montana" show was on. Because I had nothing else to watch, I decided to watch it to the end, and then the magic happened. I repeated the same question I asked myself before... 'What is this?'. It literally crashed my heart like nothing else before. So I kept watching Miley Cyrus in her fictional character, and I was growing and changing with her at the same time she was evolving in music, and developing herself as a real artist. So that was the first time I’ve told myself... 'Now, you are going to get serious about this. And you won’t stop until you see yourself in the place where she is'.

You grew up in Argentina. Has the culture influenced you in your music somehow?
I started my music ambition wanting to be an American pop star. The only (but also the biggest) issue turned out to be the language. I spoke Spanish and the music I fell in love with was all in English. While I was working hard in learning not only English, but also going to singing, guitar and piano classes, I was searching to start somewhere. My hunger for music and the desire of achieving my goals, were so big to the point that I decided to move on with the idea of making pop music, to explore other styles, to listen to other genres, and to try to find something that might fit better with me. Teenage life comes in, so I started to go out with friends, I started to leave my bubble to see what the world had for me. It is there when Latin music, or I should better say Reggeaton, found me. The electric energy, the warm vibe, together with the fact that I was able to understand the lyrics, they all caught my heart, my feelings and my attention completely. So until I was able to improve my English skills, to keep going with my pop music dreams, I knew Latin music would be taking over me, and it will open the doors to the all the opportunities I got today. 

You are openly gay and you have had a very supportive environment when you came out. Tell us about the role your family, friends, and community played in coming out openly gay and the role they played in finding that supportive husband whom you have been with for 4 years now? 
I think my family and friends accepted and supported the fact that I came out as a gay man more than they have supported my music career. It all happened so fast, even for me. I was 18-years-old when I realized I felt attracted to other guys, and my mom was the first person to know what was going on in my mind, before anybody else. I knew from the beginning she was who would be able to answer all the questions I had about what being gay meant, and without feeling judged. I wasn’t nervous at all, but curious when I went to talk to her about it. I know so many parents have this concept based on their beliefs about what the “perfect family”, or what a “perfect child” is, and being gay is absolutely not one of them most of the time. But I also knew my mother wasn’t that type of parent. After I told her how I was feeling, my mouth literally dropped because of her response. She said... “You shouldn’t ever feel embarrassed or apologize because of your feelings. We can’t control them and if this is what you truly want for yourself, I would ask you to keep going. We don’t come to life with a manual, and that’s okay because life is about experiencing and searching for yourself”. Because my relationship with my mom is so important, I felt like if she was okay with me being gay, I had nothing to worried about.

My other family members, my friends and the rest of the world knew about my sexual orientation after I felt I had found the right person for me at the age of 21 and that’s my current husband Rodney. Our love has been always so healthy, pure and contagious that personally I never cared about what people had to say about us. And because we put that energy out there, I think it came back to us strongly. It means, when we officially decided to tell everyone, we got the full support, respect and love from all of those who have cared about us from day one. But the biggest surprise came to us when strangers started to contact us through social media and by stopping us on the streets, just to tell us that we are a beautiful couple or how much we have inspired them because of our relationship. Those instances turned out to be really encouraging for us to keep loving and taking care of our relationship even more. Because in some way we were bringing back the hope of finding true love to other people.

How has your husband supported in your career and how important has that been for you?
My husband is my number one fan. He is the one who believes in me more than anybody, even more than myself. The one who reminds me all the time how far I got and why I must not quit. He picks me up every time I'm down because things get a little hard. So many times I felt he would do or say anything just to keep me focused and motivated, because he sees the fire and desire I have inside. He is my biggest mentor, my biggest supporter, and my biggest advisor, because he always makes sure I listen to every lesson, experience and mistake he went though, so I can try to avoid them and achieve my goals faster and smarter than anyone else in my same position. Because he is really smart and good at business, and so many other things, he has opened my mind about so many factors that I had no idea before it could affect my career that much - small details that would either help or destroy everything I already achieved. So many times he gave me an advice that I hated. Sometimes it made me cry because they were things I didn't want to hear, but I know he will not stop helping me to become a better version of myself every day and that means everything to me.

What is your music like? Who are your influences and role models?
I can tell what my music is like based on what it makes me feel or how I feel about it. But I like to hear what other people have to say about what my music is like, because I do not make music just for myself. I make music so everyone can listen to it. Many people have told me my music is very charming, energetic, full of good and tropical vibes, but over all, it has made them want to dance and have fun. Those are comments I got from people all over the world who have heard my songs on the radio. It makes me happy because those types of comments and reactions are the ones I’ve been wanting and working hard for. As time goes by and I keep growing, my influences keep changing too. This happens based on my age, in what culture I’m living, they way I feel, etc. There are many factors that decide why or how I pick my influences. Today, I get inspired but a lot of different Latin and American artists who are taking over the industry. But I have more female than male artists who influence me. I am a big supporter of women because they are beautiful people with amazing talents. I come from a family where women are the majority, so I grew up loving, respecting, and learning a lot about them. Just mentioning again the fact that Miley Cyrus inspired me to start my career is a great example of what I’m talking about.

Do you want to crossover to the English market and why?
English became part of my life not only because of music, but also because of my husband. I speak English more than I do Spanish, which is why today I feel so comfortable speaking both languages. I always wanted to crossover to the English market because that is how my desire of becoming a musician started. What has caused me a really hard time was having to make the decision of which genre and which language I should choose to keep working on my craft. Many times I wake up feeling I should just make music in Spanish, but then I get up convinced about the idea that I should be writing and making music in English. So after I listened to some people’s opinions and advice, I don’t know why it took me so long to realize I could be doing both. I don’t have to get locked just on one trail forever. That is what being an artist is about - changing as your mood changes. So many artists are succeeding like crazy right now, because they know the more they are able to communicate their art to other people, the bigger the market where they can work. The only thing you have to make sure of is to try to not lose your essence, by trying to lose your native accent and features. Because that is your signature, that’s what makes you and your art unique.



Tell us about the new album "Bipolar" that you are working on. What is the album about? How different will it be than anything we have seen before?
“Bipolar" is something that I’m really excited about. First of all, it’s my first album so I have a lot of expectations from the people that I’m working with to make this project possible. My team is amazing even if most of the time I get on their nerves because I keep changing the concepts and ideas, they understand what I’m trying to do. They understand the way I work, they understand how important is what I’m trying to create and communicate. That’s basically how the name of the album was born. I am an unpredictable person who will want to sing blues today, but will want to write country music tomorrow. When I write music in one particular language, my mood changes completely and that’s really notable in the lyrics. You would think I’m possessed or something. When I write music in English, my songs are so deep, meaningful, moody, every one of them is telling a story, they are connected to each other and they also try to be really clever. It’s all about the lyrics. But when I write Latin music, I feel they are so much more simple, basic, easy to understand if you speak the language, and is more about the beats than anything. It’s a music to party. Once you listen to all the melodies and the lyrics in the album, you will understand why my team and I called it “Bipolar”.

What makes you unique as an artist and musician? What did you learn about you and your music through the years that you can share with us?
Honestly, I feel blessed, special and unique because of my whole life. My personality, my story, my family, my husband, where I’m from, where I’m right now, all of those things helps me to keep my mind clear and focus on my job as a musician, as a person, as a husband and as a friend. And let me tell you I never wished having someone else's life because of all of the things I mentioned before. My biggest fight and competition has always been with myself, and that’s the story I’m trying to show through my art and through my music. That is the way I filter my emotions to not let them take over me. We all have our own demons to fight with, we just have to learn how to make them calm down in the healthiest way possible, so we don’t negatively affect ourselves. My husband likes to remind me that at the age of 25, I’m where most people of my age would love to be in life, because sometimes I get overwhelmed by the feeling that I’m not doing enough. Through all these years, I have learned that my music will always be the big picture of all those memories I experienced the same year I released a song. It’s crazy because once I drop new music, I think to myself… ‘ okay, I’m tired of listening to the same song over and over again, because I’ve been working on this for months. Now I want to work on something new'. When that happens, I don’t appreciate my work as much because I just got tired of it, but a couple of months later, when I go back to listen to one of my old records, I think it sounds even better than the first time I released it, and it also brings all those memories of when I was working on it, when I came up with the idea for the first time, with the people I’ve been working with, who were supporting me through the whole process, and where I was at the time. It’s really beautiful how it makes me feel, and now that I look back to my first single I released almost two years ago, I get really emotional. Because 2017 was an incredible year and I’m so proud of it. The song “Vente Conmigo" is like my career’s baby.

What is your dream?
After many years searching for what I wanted to do, and who I wanted to be in the music industry, and most importantly, in life, I came to the conclusion that all I really want was to find myself in peace. I want to keep everything as real as possible. I want to give a meaning to everything. I want to remember everything. I want to do everything I do for the right reasons without forgetting why I’m doing it, and without giving most of my attention to things that shouldn't matter. One of my goals is to feel that I don’t need to be part of the superficial empty world that killed so many people’s desires to keep living and enjoying their lives. I want to keep alive the fire inside of me for as long as I can. I want that fire to be gone once I’m dead, because I don’t want to feel that I’m spiritually dead while I’m physically alive. My dream is to love what I do, whether it is music today, or raising goats on a farm tomorrow. Right now, I’m at a stage of my life where I feel I’m living the dream, I’m living my dream. I feel I’m where I am supposed to be, with the people with whom I should be sharing life, feeling jealous of no one, not competing with anybody, just getting ready for all the beautiful years full of experiences, lessons and memories that are waiting for me down the road.

What is your message to fans and others?
Be yourself! I know it can sound simple, but it really it isn’t, and I understand. I thought I got it all under control, but when I realize I was already managing my dreams and career based on other people's visions and ambitions, I immediately told myself to stop. We are living in a society where technology has taken over people, and everybody thinks we are free because they are at home sitting on the couch with their phones. But the reality is actually far from that Internet, especially social media, turned out to be an easy way for people to judge other people, and to make you feel you should live your life a certain way. Many years ago, it was easier when television was the only way you could see famous people, actors, musicians, or “influencers”, and use them as role models. It was up to you to follow them, and consider the idea of wanting to imitate their lifestyle. But today, because phones and internet devices are everywhere, you will see those people all the time. And you will try to keep up with them because the invisible social pressure. You see how everybody is trying to do and look the same. Let me tell you something, you can get completely lost by following that path. You could not only loose your mental freedom, but also yourself. It depends on you, if you work hard just to look good in pictures because that is what everybody thinks is “cool”. no matter what you do, there will be a lot of people who still hate you, and people who still think you are the ugliest person in the world. And you will be shot down because you care about them, and not about what you really feel or want. Do the things for the right reasons, and most important, stay truth to yourself. Don’t be cool, be you.

Monday, April 29, 2019

Female and male filmmakers from Korea and their films in the #MeToo era



I had the privilege to meet and interview three South Korean filmmakers - female director Hyun-Young CHOI ("Memories of a Dead End"), female producer Lee Eun-kyung ("Memories of a Dead End") and male director Deok-jae JEONGHUH ("The Pension"). Their films were shown in Chicago as part of the Asian Pop Up Cinema. This was my first time talking to Korean filmmakers and I learned a lot from my conversation with them and also seeing their films. I learned about their culture, love, patience and what it is like to be a filmmaker in Korea during the #MeToo movement.



The first film I saw was based of a Japanese novel "Memories of a Dead End" by Banana Yoshimoto. It was a beautiful and elegant co-production between Korea and Japan and it featured a female director, a female producer and a female lead actress - all South Korean. The film was about a South Korean woman whose fiance falls in love with a Japanese woman and how the break up leads her journey to self-love, discovery and healing as she meets a great Japanese friend in Nagoya.



What shook me about the story is that the painful betrayal portrayed didn't feature any violence, alcohol or drug use, or even confrontation - it was like nothing I have ever seen before - a painful journey of the main character in her own healing process without the extra stuff we usually see on TV characters resort to. It taught me that pain and break up can be a beautiful and elegant experience that leads to self-transformation rather than self-distraction and that you can move on from the people that hurt you without resorting to violence but simply walking away and starting over. As I was stunned by this story and how beautifully it was done I spoke with the female director and producer about it.

From left to right: female director Hyun-Young CHOI and female producer Lee Eun-kyung
Photo credit: APUC Festival photographer Dan Hannula

Tell me about your personal break up experience that you used in the film?
 
Director CHOI- Male or female everyone has experienced some sort of a break up. When I went through a break up I got a lot of help and love from a lot of people. When I was making this film I purposely did not use alcohol and smoking as a way of dealing with break up because that was my experience. I didn't have to resort to it. I wanted to make a movie where people resort to other things and without these things. 

Why such an elegant break up with no violence or confrontation? Is this part of the Asian culture? 
Director CHOI - We had a lot of discussion with directors and staff members how you deal with a break up. Personally, I would not have been so civil. I would have screamed. I don't believe it is the culture. It is a personal feeling. This couple has been together for four years. The main character had to deal with the pain without resorting to strong action. After discussing with the actress we decided to use this kind of reaction over some other. 

Producer Lee - In the original novel there is no violence or strong behavior. In the original novel the main character is a Japanese woman and we switched the main character to a Korean woman. We wanted to keep a reserved woman who expresses her real feelings in a reserved way as we wanted to preserve the tone of the original novel. 

Korean actress Sooyoung CHOI in the role of Yumi 

Why did you decide to make her Korean? It is an interesting relationship between Japan and Korea - what is the message with that relationship? 
Director CHOI -  This movie has been planned as a Japanese and Korean collaboration from the beginning. We decided to hire Korean actors and a Korean director and producer. The relationship between Korea and Japan is common. A lot of Koreans go to Japan to study the language and a lot of Japanese go to Korea to study Korean. This type of films are not very common and this story is not easy to find and we think it is very meaningful. 

Producer Lee - The original novelist is very popular in Spain. Her novels are shared all over the world. We intended to make a Korean movie out of it and we naturally picked a Korean actress. At the end it became a Japanese and Korean collaboration. I wanted to interpret the novel from a Korean perspective. 

Tell me about the cast? How difficult was to find a Korean actress who speaks Japanese? 
Producer Lee- We had a deadline to complete the film. If the actress didn't speak Japanese it would have been hard to communicate with the actor. I was thinking who can speak Japanese and be in their late 20s and is good at acting. The director thought of the same actress and dreamed of her. She can speak Japanese and is well-known in Japan. The male lead also has a lot of fan base in Nagoya. He used to be a boy band member. He is the type that Korean women like. There are two types of Japanese actors - one type Japanese like but not popular in Korea and vice versa. Tanaka is a type that Korean women like. When the Japanese team recommended him I approved him.  A lot of Japanese pop artists wear colorful outfits and could be viewed as cheap to Koreans but are popular in Japan. Korean  prefer natural looking actors. In Japan women like skinny men but Tanaka is the opposite of that. Also the Miso sandwich is not in the original novel but we thought about what product to sell and Nagoya is famous for miso so we created the miso sandwich. 


From left to right: Sooyoung CHOI and Shunsuke TANAKA

Tell me about what is it like being female filmmakers in Korea? 
Director CHOI - There are a lot of challenges for female filmmakers in Korea. For this project I was chosen because I was a female. I wonder would I have had this type of opportunity again... As a female director this was very important for me. As a female director in Korea the environment is challenging and not a lot of opportunities are given. These days female directors started making variety of genres. In the midst of the #MeToo movement I feel proud to be a female director. 

You will never get this opportunity again...what do you mean by that? 
I shouldn't’ say never but this will be a difficult chance as a female director because this Korean project was not a usual contract. This was a very special event in the film industry. We will see... 




Producer LEE- The situation is even worse in Japan. There has been a lot of Korean filmmakers - female directors and especially female producers in Korea. But the people who are at the top are mostly male and the people who make the decisions are mostly male. We have to focus on what female directors can be good at. We shouldn't care what the male filmmakers require such as be good at drinking. We need to focus on what we are strong at. 

Do you want to crossover and make a film in America or stay and work in Korea? 
Director CHOI- One of the reasons why I kept studying English is because you are catering to Korean public but nowadays the film media has to cater to the whole world. You shouldn't focus on one country as an audience. I want to make a film that expresses a personal emotion, especially with this film. I experienced the American audience and I enjoyed it. I want to take the film to other countries. I want to keep work on cultural exchanges through other countries with film. 

What would you like to say to Korean immigrants in America? 
Director CHOI-  Through history I think Korean culture and society are more and more exposed to America and it is an important bridge - easy to communicate with Americans. 

Producer Lee - As a filmmaker I believe that it will be hard to understand the story if you don't have the cultural knowledge and background and can be very superficial and the film can be pointless. The film naturally connected two cultures and I really enjoyed and believe the audiences did too. I came to Chicago and met with Korean-American people. I can see that their perspective and thinking is different and if I made a Korean-American character who lives in Chicago as a main character I can express it but since I don't live here I can make a misunderstanding. It is very important to experience various culture and exchanges. 

***
I also spoke with "The Pension"s male director Deok-jae JEONGHUH as I wanted to hear his side of the story as a male filmmaker in Korea. He has a long history of making films in Korea and he directed the fourth film in "The Pension," which features four stories: parents coping with their daughter's death, a husband a wife hoping to rekindle their marriage, a woman who insists on staying in a particular room and the substitute manager of the Pension inviting his girlfriend over for the evening. 

Director Deok-jae JEONGHUH

What is it like being a male filmmaker in Korea? 
Director DEOK- Simple answer: I never had to think about what is it like to work as a male director in Korea. I have all the benefits of being a male director because I never have to think about it. I always approach it and see it as work. I never think about it because I am a male director.

Is it easier to find opportunities because you don't have to think about it? 
Generally, I don't have to think about it but if there is an opportunity to make a film like "Memories of a Dead End" I will be excluded. Generally, I don't think about it. 

Tell me about "The Pension" and the four different themes in it? 
Each of the four parts are written by four different directors. "The Pension" is my film and is the last film. 


 


Tell me about the casting process? 
Each of us brought the story together and it has criminal elements. I started with the space when I wrote it. I was imagining a story that is not mundane but unique and I was thinking about a stranger who came to the Pension and the story developed into a criminal act. I wanted it to be lighthearted. It is short 30 min movie. I wanted to write a lighthearted touch even though the story is serious. Among the list of actors I was able to find the right fit and that's how we started. 

A scene from "The Pension"

What are some of the influences that you have had from American or Korean filmmakers? 
Long time ago I looked up to people but as I have been working as a film director for a long time I don't look up to or follow certain filmmaker and directors. I try to be independent but I am influenced just a little bit. When I finished the screenplay, I realized there are similar elements from "The Usual Suspects" and I borrowed the lead from "The Usual Suspects." 

Do you want to cross over to America or stay in Korea? 
In the film industry Hollywood is the biggest market in the world. Every filmmaker's dream is to work in Hollywood. As of now this is not my immediate goal. If I have to make a collaboration between Korea and Japan it has to be different. At this point I want to build my base in Korea first. In the future opportunities might come more naturally. 

How does "The Pension" show a side of Korea? 
If you go to a Korean pension you usually visit with friends and family. A lot of people drink and play card games. In the four stories "The Pension" excluded the drinking part and I put some criminal elements. In the movie we try to exclude what you would see in a Korean pension. That's why we use criminal elements, something new and unique. In the fourth movie there is a couple who came back to look for a wedding ring. When I worked in a pension before this happened to me and a couple came back looking for their wedding ring. I used the real experiences in that sense. 

A scene from "The Pension"

What have you learned as a filmmaker? What does the Korean audience enjoy the most? 
There has been some changes in the trend. Recently comedy has been a big hit. Before that it was fantasy. If I look back before fantasies and comedies never made it big. There has been a change in the Korean audience. What is fortunate for me is that I like to write different genres and I don't stick to one type. 



Would you create something the Korean audience wants or what you want to show? 
There was one director who directed "The Pension" and he used to say he agonized over the story he wants to tell and the difference between that story and the story the audience wants to hear. For me the story I want to tell hasn't been too different from what they want to hear. 

What other movies are you working on? 
There are several screenplays I have been working on. My goal is to finish those screenplays and make them into movies.

For more on Asian Pop Up Cinema, visit: https://www.asianpopupcinema.org