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| Jennifer Cervantes, Founder Tough as a Mother Tribe |
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| Jennifer Cervantes, Founder Tough as a Mother Tribe |
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| Pooya Mohseni and Lynn Chen in See You Then |
In this ever-changing digital and social media age, it is hard to keep up with the latest trends. Social media has become the main tool advertisers and users, use to interact with one another. This concept is explored in the new documentary film Make|SHIFT. The film explores the trends and history of advertising and how it has changed through the years, the interaction between the viewer and the ads and the future of advertisement. It is an honest and raw look at the shifts and changes that have started to dominate the digital era and how advertisement has adjusted to engage the user.
Make|SHIFT is a documentary film by WP Engine exploring the art and science behind the advertising industry's 20+ year evolution. Hear from a range of industry leaders from developers to designers to creative directors to founders at some of the most innovative agencies in the world, both small and large, digital and traditional. The film takes an inside look at how these makers and agencies have shifted and re-shifted their skillsets, creativity, and businesses, as new creative technologies emerged, declined, and were replaced by the next technology in an endless cycle of change.![]() |
| Credit: The Academy Awards |
This morning the 93rd Academy Awards nominations were announced by Nick Jonas and Priyanka Chopra. Unlike previous years, this year was historic for the Oscars®. There are two female directors nominated for the first time ever in the Best Director Category - Chloe Zhao ("Nomadland") and Emerald Fennel ("Promising Young Woman"). In addition, Maria Bakalova made history for Bulgaria with her first ever Oscars® nomination for her role in Borat 2. The Academy Awards will air LIVE on ABC, April 25, at 8 p.m. ET from both the Union Station in LA and the Dolby Theatre in Hollywood.
Academy members from each of the 17 branches vote to determine the nominees in their respective categories – actors nominate actors, film editors nominate film editors, etc. In the Animated Feature Film and International Feature Film categories, nominees are selected by a vote of multi-branch screening committees. All voting members are eligible to select the Best Picture nominees. Active members of the Academy are eligible to vote for the winners in all 23 categories beginning Thursday, April 15, through Tuesday, April 20.Performance by an actor in a leading role:
Performance by an actor in a supporting role:
Performance by an actress in a leading role:
Performance by an actress in a supporting role:
Best animated feature film of the year:
Achievement in cinematography:
Achievement in directing:
Best documentary feature:
Achievement in film editing:
Best international feature film of the year:
Achievement in makeup and hairstyling:
Achievement in music written for motion pictures (Original score):
Best motion picture of the year:
Achievement in production design:
Best live action short film:
Achievement in sound:
Achievement in visual effects:
Adapted screenplay:
Original screenplay:
This year the Cinema Unbound Awards honored Steve McQueen, Garrett Bradley, Mollye Asher, Gus Van Sant and Alex Bulkley. Presenters of the awards were Chloe Zallo, Guiilermo del Toro, Rajendra Roy, Mollye Asher, Charles Burnett, among others. Event partners of the event were Gucci and Netflix.
“The Cinema Unbound Awards celebrate those who are not content to be contained,” says Amy Dotson, Northwest Film Center Director and Portland Art Museum Curator of Film & New Media. “We honor these multi-media misfits and nonconformists who expand the notion of what’s possible; these unbound storytellers who defy expectation by refusing to embrace what is for what might be. They inspire us not just by simply coloring outside the lines, but by redrawing the lines entirely, creating a more interesting, inclusive and inspiring space where cinema and art collide.”
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| Alex Bulkley. Courtesy: Cinema Unbound Awards |
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| Mollye Asher. Courtesy: Cinema Unbound Awards "As an indie producer, you often have to think outside the box because the industry isn't constructed to fit anything other than what's been done before. But when you're working with partners like Chloe and Josh, that necessity to think outside of the box becomes a choice." Chloe Zhao, who recently won for Best Director for Nomadland a Golden Globe Award and a Critics Choice Award, said: "It's in those darkest times that I think the character of a great producer really shows. And Mollye has shown that over and over and over in the times I've worked with her." "I've always tried to look at places where maybe it would be uncomfortable, but having to go there, because that's what we as artists do. We try to, sort of get driven on to reflect who we are as human beings.” For more on the awards, visit: https://cinemaunbound.org/. |
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| Kristen Wiig and Annie Mumolo at the 78th Golden Globes Awards. Photo: Rich Polk/NBC |
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| Maria Bakalova dressed in Armani. Credit: Maria Bakalova Instagram |
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| Hosts Tina Fey and Amy Poehler. Photo: NBC |
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| Jane Fonda. Photo credit: Golden Globes, HFPA |
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| Amanda Seyfried in Oscar De La Renta. Credit: Marcus Mam. Julia Garner dressed in Prada. Credit: Hung Vaango. Tahar Rahim dressed in Louis Vuitton. Credit: Naj Jamai |
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| The new set design for this year’s Golden Globes Awards featuring New York’s Rainbow Room and Los Angeles’ Beverly Hilton, both sets designed by Brian Stonestreet. Credit: Golden Globe Awards |
The Golden Globes are fast approaching and so is the anticipation of who will win this year. The 78th Annual Golden Globe Awards® will air live on NBC coast-to-coast on Sunday, Feb. 28, 2021 at 8:00 PM EST/5:00 PM PST on NBC.
The HFPA recently hosted a virtual First Time Nominees Event featuring Amanda Seyfried, Andra Day, Elle Fanning, Leslie Odom Jr., Maria Bakalova, Vanessa Kirby, Josh O’Connor, Nicholas Hoult and more. The nominees had a chance to share how they feel about their nominations and what they will wear the night of the big event.
Andra Day and Leslie Odom Jr., who are not only first-time nominees, but also double-nominees for acting and Best Original Song, shared their similar experiences in finding out about their respective nominations.
“I was a little delirious because the announcements come in pretty early in the morning, and as Leslie knows, we're musicians so we keep weird hours! But I heard it, and I cried, I did cry.” Day said. “I was just grateful. It makes you think of everything you put into this movie and it made me think of Billie Holiday and being grateful to her.”
“I was also asleep!” Odom Jr. said. “It was a really exciting morning because so much of my life was represented. I did my final performance of Hamilton four years ago… and then One Night in Miami is the most recent thing so it was this weird, wonderful confluence mashup of all the hard work and dedication over all these years.”
Nominees also chatted about the different ways they’ll be viewing the ceremony this year, rather than being in-person at the Beverly Hilton. Vanessa Kirby shared she would be watching the show with her sister. “She’s been on lockdown with me for a whole year, and she’s not getting away from me on Sunday at 3:30am!” Kirby said.
First time nominees include:
Amanda Seyfried (Best Supporting Actress in a Motion Picture, “Mank”)![]() |
| Norman Lear and Jane Fonda. Photo credit: HFPA |
It is rare to find a captivating sci-fi film that takes you in a thrilling ride both into fantasy and reality. I found the new film, WRITER'S ODYSSEY, released by CMC Pictures, to be just that and more. I was captivated by the depth and mastery of the storyline, the visuals, the effects, the acting and the fairytale adventure. In fact, I was hesitant to move away from my screen, deeply engaged in the film and the story. This has been a rare occurrence for me when it comes to films.
I was pleasantly surprised and amazed by the theme of the film. A loving father willing to die in order to find his daughter - a story of love and family blended into a chilling adventure. I found the film to be both emotional and entertaining. The brilliant plot, the visuals and the storyline, combined with the superb acting, stunts and effects, put this film into an A-list and a Must-See category for me. This is the first film in Chinese that I had the chance to see and review. I definitely want to see more films made by Chinese filmmakers on such a brilliant level!
A WRITER'S ODYSSEY tells the story of Kongwen Lu (Dong Zijian, ASH IS PUREST WHITE), the author of a fantasy novel series following a heroic teenager on a quest to confront Redmane. Through a strange twist of fate, the fantasy world of the novel begins to impact life in the real world, leading Guan Ning (Lei Jiayin, THE LONGEST DAY IN CHANG'AN, BROTHERHOOD OF BLADES), to accept a mission to kill the author. A WRITER'S ODYSSEY is directed by Lu Yang (BROTHERHOOD OF BLADES) and also stars Yang Mi, Yu Hewei, Guo Jingfei and Tong Liya.We live in an age where the line between celebrities and influencers blurs in one thanks to social media platforms, making it easier for anyone to reach the status fame quo. For some who want to have a voice and change the world, it is a great way to do so, but for others it may be a dangerous slope to "Villainhood Ville."
In the three-part series, director Karam Gill (Ice Cold, G-Funk) examines manufactured celebrity through the lens of 6ix9ine’s controversial artistry, personal demons and mastery of social media, as a reflection of our times and the complicity of culture today. It traces how New York City deli clerk Daniel Hernandez manufactured himself into viral hip hop sensation Tekashi 6ix9ine, the ruthless, tattooed face of Gen Z and hip hop’s prince of trolls. Based on Witt’s Rolling Stone feature, “Tekashi 6ix9ine: The Rise and Fall of a Hip-Hop Supervillain,” the series features an exclusive post-prison interview with 6ix9ine following his release last year. Through the narrative spine of Tekashi 6ix9ine’s controversial artistry and personal demons, this complicated story is in many ways the truest reflection of current times as it unpacks the life-shattering results of influence, impact of social media and the disturbing possibilities of a deeply connected world.
SUPERVILLAIN is produced by Imagine Documentaries, Rolling Stone and Lightbox. Brian Grazer executive produces with Justin Wilkes and Sara Bernstein of Imagine Documentaries, Gus Wenner of Rolling Stone, Jonathan Chinn and Simon Chinn of Lightbox, journalist Stephen Witt and Peter J. Scalettar. The series is narrated by Giancarlo Esposito (Better Call Saul, The Mandalorian).
This Valentine's Day I had the opportunity to watch the comedy Hopeless Romantic directed by six women from the East Coast of Canada, Deanne Foley, Martine Blue, Stephanie Clattenburg, Latonia Hartery, Ruth Lawrence and Megan Wennberg. Lynda Boyd (We Were Wolves, Republic of Doyle) stars as Anna, a recently widowed cardiologist facing romantic challenges. While attending a wedding, Anna discovers she is not alone and bonds with six other women as they each share their unique stories of navigating the complex world of relationships.
This sweet take on women and relationships is entertained not only in the way the women told their stories to one another but also in the truth behind these comic scenes. Often as women we need love, we search for it outside of ourselves only to be disappointed and discouraged at the end. Here, six women tell their stories of finding love that resonates with each of us through stories of loss, grief, divorce, sexual assault, ghosting, and more. At the end, the truth is we can find the love that we need in our own selves, our strength as women and our female friendships, and maybe if we are lucky, the right one might show up at our doorstep by surprise one day.
I recommend this light and very funny female-oriented and empowering comedy 100 percent!
In addition to the St. John’s International Women’s Film Festival Hopeless Romantic played the Female Eye Film Festival in Toronto, and was nominated for Best Feature Film at the Screen Nova Scotia Awards. Kathryn MacLellan won the Best Supporting Actress award at the Screen Nova Scotia Awards for her role in the film. The film was produced by Latonia Hartery, Jay Dahl and Bill Niven, and was shot by award winning cinematographer Jeffery Wheaton.![]() |
| Courtesy: IMDB.com |
As someone who grew up watching the iconic show and later on a move sequel, I decided to take another, more mature and objective look at Sex and The City, and what the fuss was all about back then. Perhaps there was a reason to it - my new look and perspective on the show dawned upon me. I saw the mistakes, the outdated concepts, materialism, selfishness, insecure women willing to do anything to get attention and love, and shoes. There was so much wrong with Carrie Bradshaw and her friends - they were idolized not just for their close friendship, which was the strong theme of the show, but as desperate, horny, materialistic, lost and egocentric middle-aged women. Millions of girls and women around the globe were watching them on TV, growing up with them, day after day, looking up to them, only to be fed with these broken concepts of female empowerment. I was one of them. So why was everyone looking up to them then? Did we miss the wrong picture from the start? Or was the American way of female empowerment not only portrayed but enforced as such through these women?
I remember sitting on the couch at my university dorm with my girlfriends binge watching the Sex and the City episodes. We were excited, happy, thrilled and looking forward to the movie sequel. We sat and laughed, while eating popcorn, mesmerized by the lifestyle of these women. While we were bonding we consumed the images that went so deep in our subconscious that we wanted to be just like them. In some weird way, they became our role models. We wanted their lifestyles. Back then we didn't have the knowledge and experience to really see the flaws we were imitating and we missed the whole point of what was wrong with these women seeing only what we wanted on the surface. Instead of trying to be like them, we should have tried to be against them. But if they were so popular and so loved, we wanted to be just like them. That's where the core values of being a woman were missed. We mimicked the insecure, materialistic, egocentric, hypocritical and ignorant Carrie who was simply a lost little girl who didn't know much about life other than sex and shoes, while stuck in a middle-aged woman's body.
For young women and girls watching this show, there is a very wrong concept embedded that may have caused more damage than good - the concept of the "free woman" or perhaps what that looks like. In Sex and the City the free woman is promiscuous, egocentric, self-centered, insecure, entitled, ignorant and quite "bitchy." Is that the image that America wants to portray now? I believe the show would have been a total failure if it had launched in this day and age, and maybe it worked for a reason back then. So we can work against stereotyping female characters as such and idolizing them as such. Now that the series is up for another season, I hope that we will see Carrie and her friends better, matured and as really confident, educated, strong and less self-centered women, who do not rely on sex, shoes, money and men to feel good about themselves.
After I rewatched Sex and The City 1 and 2, I was also appalled by the way these women approached a different culture, their ignorance and superiority towards the foreign countries they visited, their constant complaining for small issues, unable to see the beauty outside their small minds, as well as a depiction of the "typical ignorant American." Why didn't I see that back then as an immigrant who dreamed of living the American dream? These women was what was really wrong with America and what needed to be fixed.
It takes years of living, experiencing, awakening and educating to see all the flaws that existed with Carrie Bradshaw and the gang. As now an ex-fan of the sitcom and characters, I had to rethink the image I was admiring back then and reflect on what really matters now - the need to show better female characters on the screen in a way that is way more diverse, educated, self-aware and less materialistic. My personal view based on interviews I have read and my own professional opinion is that part of the reason why Kim Cattrall, the actress who plays Samantha, didn't want to come back on the new installment of the series is that she didn't want to be part of a show that continues to portray women in such a distorted way, because it simply doesn't work anymore.
There is a need to reinvent Carrie in a new way - a way that works now. Enough with the princess, weak, horny and self-centered images of spoiled, rich, white women who need sex, money and men for their survival. This is not what female empowerment looks like now or ever. I am in hopes for a better and more improved season of the new chapter of Carrie and Sex and the City in 2021, a world that is more self-aware, spiritual, diverse, compassionate and less self-absorbed and materialistic. These are the women we need to see and be like on the screen!
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| Photo Courtesy: @mariabakalovaofficial |
This week has been one of major wins and history in the making for Bulgarian actress Maria Bakalova. Following her big Golden Globe nomination for Best Actress in Motion Picture for Comedy/Musical, she just received another one from the Screen Actor Guild Awards, nominated for Best Supporting Actress by her fellow actors. She is competing for the win with Glenn Close, Olivia Colman, Helena Zengel and You-Jung Youn. Maria has proven to be a favorite not just among critics and audiences but also among the stars. Her major breakthrough is a historical achievement for Bulgarians and Eastern Europeans, opening the door for more bright talent to come and shine in Hollywood.
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| Maria Bakalova Credit: @mariabakalovaofficial |
Bulgarian actress Maria Bakalova made history for Bulgaria and Eastern Europe. She scored a Golden Globe nomination for Best Performance by an Actress in a Motion Picture - Musical/Comedy, which is first not only for her but for Bulgaria as well. She is competing against major names from the Hollywood scene such as Michelle Pfeiffer, Kate Hudson, Rosamund Pike and Anya Taylor-Joy. Bakalova is opening the door for other Eastern European talents and her homeland Bulgaria. She played Tutar in the sequel "Borat 2" along Sasha Baron Cohen. Bakalova also scored numerous other awards and nominations for her role from critics across America, including the New York Film Critics, for her role as Tutar. She is even nominated for a SAG award and that much closer to an Oscar nomination. Her breakthrough performance is both historical and legendary. She was born in Bourgas, Bulgaria, and can be seen in the Bulgarian film "The Father," which gave her a major push in her Bulgarian acting career. "The Father" is the Bulgarian film selected to compete in the Oscar race for Best International Film.
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| Credit: Golden Globes |
The 78th Golden Globe nominations were announced on Feb. 3 by six-time Golden Globe Award winner, Sarah Jessica Parker, and Golden Globe winner, Taraji P. Henson, on behalf of the Hollywood Foreign Press Association (HFPA). Parker and Henson appeared live on NBC News “Today,” to reveal a select number of categories including Best Motion Picture, Best Television Series, Best Performance by an Actress, Best Performance by an Actor, Best Director, and more. E! News and GoldenGlobes.com streamed the full list of categories. Award-winning comedy icons Tina Fey and Amy Poehler return for their fourth time to host the ceremony, celebrating the best in film and television. The first-ever bicoastal telecast will feature Fey at New York's famed Rainbow Room and Poehler at the iconic Beverly Hilton in Los Angeles. Nominees will join throughout the evening's three-hour show from locations across the world. The Golden Globes airs live on NBC coast to coast Sunday, February 28, 2021 at 8:00 p.m. EST/5:00 p.m. PST.